creativeThat soul-baring part, I believe, is making Book Two an even better novel than Book One (so far). I feel like I'm able to do some of my best work when I'm writing about all the passion and pain inside of me. But that sometimes makes it very difficult emotionally. I'm getting close to writing scenes that represent more of the bullying and isolation that I went through in school. And I'm scared. I'm scared of triggering myself. I'm scared of misrepresenting things that happened to me, because I've blocked out a lot of the details. (But the feeling. Oh, the feeling, I will never forget.)
But other times, I can't get enough of writing my Soul Truth. Especially when I've been going through a lot. And when I'm working on parts in-between, I get frustrated and (almost) bored. The difference? I love writing scenes with Chaz. I love letting Jane be able to open up about how she feels and things that have happened to her. The scenes get emotional, often more than I even plan, but it's more cathartic. When Jane talks to Chaz, she feels safe. And I feel safe. It's not as much reliving the pain as healing it.
The story needs both the experience of the trauma and the healing. But I've been through the trauma already, so I much prefer the healing.
